Screengrab, an exciting collection of screenbased works from across the globe at the eMerge Media Space. The exhibition including 'Luxor 22.145' runs until Aug 21, 2009. The reception took place on Aug 7.

Side note: A recent radio show by Somaya Langley on ABC Classic FM Australia featured audio pieces from SOUND NOMADS among other media art works, since I've been selected for Electrofringe's residences program (taking place this fall). It's still possible to listen to it online. The broadcast will be available until mid-August. Direct links: Real Audio | Windows Media

SOUND NOMADS works will be part of the FILE Media Art 2009 Exhibition in São Paulo/Brazil from Jul 28 to Aug 30 2009. FILE - Electronic Language International Festival - is one of the most renowned events for art and technology in the world.

Luxor 22.145 Screenings at the CON-CAN Movie Festival in Tokyo/Japan will start on Jul 31 2009.

SOUND NOMADS works are part of the exhibition Istanbul-Off-Spaces at the Kunstraum Bethanien in Berlin. Opening tomorrow Fri, Jul 3 at 7 PM. The show runs from Jul 4 through Aug 16 2009.

MAY 28	Art Performance: 'Still Evidence of Water'
Location	Parking Garage Complex, Dan Panorama Hotel, Tel Aviv, ISRAEL
Timeframe	0:00-1:30 AM [1h 30min] | 2:15 min. Video Runtime
Preparation	MAY 28. sound recordings, composing, sensor calibrations, software adjustments
Guest Nomad	Mangara aka Matthias Cermak

Deserts, dry landscapes, signs of water, but rarely evidence, no proof. Access to water in the Middle East, a sensitive and critical issue. Catalyzing the peace process or inhibiting it. Screaming out loud - water - drinking - no heartbeat. Images looming beyond the horizon. Silence - drought - blood - alive?

In a nightly action a hotel parking garage turns into an imaginary water hole. A performance work in the frame of 'Factory' invited by MoBY (Museums of Bat Yam).

Technology: A microphone as an acoustic sensor hanging down from the roof. Screaming provokes crossfading from ECG monitor sounds to slurping noises. Silence brings the heartbeat back.

MAY 25-27	Art Performance: 'Evidence of Water'
Location	Hangar, Industrial Area (Factory Exhibition), Bat Yam, ISRAEL
Timeframe	3x 7:00-11:00 PM [4h] | 5:34 min. Video Runtime
Preparation	MAY 14-25. sound recordings, composing, sensor calibrations, assembling, hardware/software development/adjustments
Challenges	Light sensor calibrations, Platform Transition
Guest Nomad	Mangara aka Matthias Cermak

Nearly 20,000 known species of bees. Millions have simply vanished recently, lost their sense of orientation, no way back to their hives. An Israeli bee virus is strongly tied to the samples taken from keepers who reported the collapse disorder. The definition of colony collapse disorder - a soft one, made by people who define the syndrome, somewhat like chronic fatigue syndrome in people.
In parallel, Israel's history, fundamentals of land and sense of home. In contrast an ever growing population with voids remaining all over the world. Strong cohesion and ties to the land of milk and honey. Climate and water ressources: essential.
Deserts, dry landscapes, signs of water, but rarely evidence, no proof. Silence, introversive.
'If the bee disappeared off the surface of the globe then man would only have four years of life left.'

An abandoned factory hall, buzz, sprinklers, slurping noises. Emergency Room Tel Aviv after a delayed bee sting allergic reaction. Within 30 seconds of exposure to a chemical agent, a colony of bees will change the sound it produces. All the frequencies shift and change. And so does this performance work in the frame of 'Factory' invited by MoBY (Museums of Bat Yam).

Technology: Glowing water/ing cans as instruments, metaphorical watering of sounds that trickle away, triggers, frequency shifts and delay rhythms. Ventilators as time signatures. Doorways of the hangar connected. Powered by light/distance/pressure sensors.

DAY 8-11: May 21-24. Technical development, artistic process, props, assembling, artists/MoBY gatherings - things come together.
DAY 12-14: May 25-27. Opening and Factory Performances in this major three day event at the Industrial Area of Bat Yam. 2 takes of the SOUND NOMADS live performance 'Evidence of Water' at the hangar each night. In parallel, SOUND NOMADS video works as part of the MoBY Factory exhibition in the Bat Yam Museum of Contemporary Art as projections and installations May 25 - Sep 26 2009.
DAY 15: May 28. Post production. Last night: A different secret performance took place in Tel Aviv around midnight. 'Evidence of Water II'.

See some Tel Aviv and Bat Yam impressions in the pictures. Detailed blog entries for performance actions will follow.

Late May/Early June Participations:
SOUND NOMADS work Black Ballons screened as part of the Berlin Shorts Program at Street Fest 09 in London on May 24.
In Istanbul video works are part of several Performance Screening Programs at the Kurye International Video Festival Jun 2-12 2009.
In Bochum a SOUND NOMADS installation will be part of this year's 19th edition of the International Videofestival Bochum Jun 18-20.

May 21: My Talk at the Center for Contemporary Art in Tel Aviv had to be canceled as i was suffering from a delayed allergic reaction to a bee sting during sound huntings of hives in Israel days before.

The talk would have been in the framework of the Factory exhibition. Artistic production and its relation to other forms of production.

Site-specific Intimacy: What can it mean to work site-specific and to be able to implement artistic reflections immediately locally - to turn every single thought into something? When the change of location becomes a direct source of inspiration and the actual process of making substantial and very apparent. How to reflect and express emotions of the very moment; spontaneously, poetically, unobtrusively or provocatively? Why to create own forms of artistic expression and ephemeral interactive playgrounds based on technical complexity and interdisciplinarity? Some personal thoughts about intimacy in media arts and my own works, in particular SOUND NOMADS.